Monday, 28 February 2011
Wow! Who knew you could even do this? Scanography has been called the poor man's large format style of photography. All it basically is, you "photograph" your object by placing it on a flatbed scanner and activate the scan via your editing program. Wow! I'm still excited at what you can achieve. Of course, my first subject is flowers... These are my first attempts at scanography. I really must read up a bit more on this. What I'm wondering though, is just what other unusual forms of photography are out there that I don't know about...
Monday, 21 February 2011
Photo: Adriana Glackin
It was with a little apprehension that I opened this book. This is the third novel by Kate Morton, a Brisbane based author. Her other two novels are “The Shifting Fog” and “The Forgotten Garden” and I thoroughly enjoyed reading both. So why the apprehension? Well it seems that authors tends to have a formula, a signature , to their writing and sometimes it can be so overpowering that it overtakes the story; so that all you see is the formula that’s been followed rather than the story or even the characters. Think of John Grisham and you’ll know what I’m talking about. I didn’t want to feel the disappointment I did when I read the third, almost identical Grisham novel.
Kate Morton’s style is to weave more than one story within the pages; she also has this wonderful knack of being able to take you back into the past, back to the present and then back to the present again over and over, the whole time weaving the stories and characters together. She does this so effortlessly, that although it’s been that way for all 3 of her novels the actual narratives and characters more than hold their own. This latest of hers, is another clever narrative, and my only regret is that I raced through it far too quickly – I simply needed to know what was going to happen next!
It was also with some disappointment that I closed the book for one last time. At 497 pages, the book seems long enough – and heavy enough when it falls on your nose when you’re up late in bed reading when you should be sleeping... But I feel a sense of sadness that I won’t hear any more of the tales of Saffy and Percy, two of the characters from the novel. There simply wasn’t the room in the book to squeeze anymore in, for that I’m certain and I think it is more a testament of the writing skills of the author that she is able to leave you with this feeling. Or, it might just be me being greedy and wanting to know more.
If you’ve read her previous two novels, then you’ll definitely enjoy The Distant Hours. If you haven’t read any of her novels and you enjoy your chick-lit with the modern day mixed with the early 20th century, full-bodied characters and clever twists, then give them a go. I know I haven't given anything away here - that would be spoiling it, now wouldn't it...
Kate, if you happen across this blog post, it would be really, really good if you could write a spin-off novella about Saffy and Percy. Such sweet dears, I would have loved to hear more of their stories.
Tuesday, 8 February 2011
I tagged long with photographers Tatiana and Peter this past weekend and I thought I’d share some photographs I took of some waterfalls located in the Leura area. I’m not certain of their name, but they are below the Bridal Veil Falls. Please feel free to leave me a comment if you happen to know the names of the waterfalls below.
I used three very different lenses: Sigma 10-20mm, the Lensbaby Composer (with Soft Focus Option) and 24mm Tilt-Shift Lens, borrowed from Peter who has a wonderful tutorial on tilt-shift lenses just a click away. You can see by the examples, that some very different results were obtained. I have included the camera and lens settings for you.
So, what lens do you like to use when you shoot landscapes such as waterfalls?
|Canon 50D, Sigma 10-20mm @14mm, f11, ISO100, 30 seconds, Cokin ND filters x 2|
|Canon 50D, Sigma 10-20mm @ 11mm, f14, ISO100, 15 seconds, Cokin ND Filters x 2|
|Canon 50D, Lensbaby Composer, Soft Focus Optic, ISO100, 1 second, Cokin ND Filters x 2, own textures added in PS|
|Canon 50D, Lensbaby Composer Soft Focus Optic, ISO100, 0.6 seconds, Cokin ND Filters x 2|
|Canon 50D, Lensbaby Composer Soft Focus Optic, ISO100, 1/13 seconds, Cokin ND Filters x 2,|
|Canon 50D, 24mm tilt-Shift Lens, f11, 1.3 seconds, no filters|